Though it's not something we actively think about, the font of a product says a lot about it. Think about the New York Times, for example; they have such a resonant and unique font that they're known for it; they're known for having an old-timey, serious vibe--a sentiment that their title clearly conveys. Or take up Rolling Stone and think about how its title's font affects the feeling it gives off. Or think about Vogue and its chic and sophisticated font. Ultimately, the point I'm trying to make is: the font makes the magazine, too. So, I've been messing around with fonts and trying to find the perfect one for my magazine. While thinking about which type of font I should use, I consulted with a friend of mine who is in my school's Communication strand and has been taught about design elements with their teacher. "It's better to use Serif due to readability and to make it stand out more. For titles, it's better to use Sans Serif, especia...
So... after lots of people's criticism, I'm (once again) doubting and rethinking everything. I truly want to make this project perfect--not just for the end-of-course grade and AICE credit, but also for the satisfaction and pride that I feel when I work on this magazine or when I think that my unique concept could be made into a reality. I'm thinking that I should completely re-do the entire Table of Contents and just change a few things on the cover. As for the spread, I'm thinking of rewriting the article and changing the topic--I'd write about it on a different blog post more in detail. I hope everything works out and ends up as perfect as humanly possible for my standards and limitations.
I finished the other half!! And thankfully before the year ended. Merry Christmas! At first, I wasn't going to put the image at the bottom left, but I decided to just do it .
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